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Showing posts with label classiclit. Show all posts
Showing posts with label classiclit. Show all posts

Sunday, February 21, 2010

Life in Love by Robert Browning


Life in Love by Robert Browning delights the heart in numerous ways, elaborating on that should take some time not available with me. Enjoy!




Life in Love 
by Robert Browning
(1812-1889)


Escape me?
Never---
Beloved!
While I am I, and you are you,
So long as the world contains us both,
Me the loving and you the loth
While the one eludes, must the other pursue.
My life is a fault at last, I fear:
It seems too much like a fate, indeed!
Though I do my best I shall scarce succeed.
But what if I fail of my purpose here?
It is but to keep the nerves at strain,
To dry one's eyes and laugh at a fall,
And, baffled, get up and begin again,---
So the chace takes up one's life ' that's all.
While, look but once from your farthest bound
At me so deep in the dust and dark,
No sooner the old hope goes to ground
Than a new one, straight to the self-same mark,
I shape me---
Ever
Removed!


† Jofer

Saturday, February 20, 2010

O Mistress Mine by William Shakespeare


The legendary William Shakespeare indulges us tonight with his O Mistress Mine. Enjoy!



O Mistress Mine  
by William Shakespeare


O Mistress mine, where are you roaming?
O, stay and hear; your true love's coming,
That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers meeting,
Every wise man's son doth know.

What is love? 'Tis not hereafter;
Present mirth hath present laughter;
What's to come is still unsure:
In delay there lies not plenty;
Then, come kiss me, sweet and twenty,
Youth's a stuff will not endure.


† Jofer

Friday, February 19, 2010

The Indian To His Love by William Butler Yeats


A classic by William Butler Yeats, The Indian To His Love is an enjoyable selection from his vast library of poetry. Enjoy!




The Indian To His Love  
from Crossways  
by William Butler Yeats
(1865-1939)



The island dreams under the dawn
And great boughs drop tranquility;
The peahens dance on a smooth lawn,
A parrot sways upon a tree,
Raging at his own image in the enameled sea.

Here we will moor our lonely ship
And wander ever with woven hands,
Murmuring softly lip to lip,
Along the grass, along the sands,
Murmuring how far away are the unquiet lands:
How we alone of mortals are
Hid under quiet boughs apart,
While our love grows an Indian star,
A meteor of the burning heart,
One with the tide that gleams, the wings that gleam and dart,
The heavy boughs, the burnished dove
That moans and sighs a hundred days:
How when we die our shades will rove,
When eve has hushed the feathered ways,
With vapory foot sole by the water's drowsy blaze.


† Jofer

Thursday, February 18, 2010

Love Arm'd by Aphra Behn


A new writer and a new piece - both true for me - for tonight. Aphra Behn amazes us with his Love Arm'd. Enjoy!



Love Arm'd
by Aphra Behn
(1640?-1689)



Love in Fantastique Triumph satt,
Whilst bleeding Hearts around him flow'd,
For whom Fresh pains he did create,
And strange Tryanic power he show'd;
From thy Bright Eyes he took his fire,
Which round about, in sport he hurl'd;
But 'twas from mine he took desire,
Enough to undo the Amorous World.
From me he took his sighs and tears,
From thee his Pride and Crueltie;
From me his Languishments and Feares,
And every Killing Dart from thee;
Thus thou and I, the God have arm'd,
And sett him up a Deity;
But my poor Heart alone is harm'd,
Whilst thine the Victor is, and free.


† Jofer

Wednesday, February 17, 2010

To One in Paradise by Edgar Allan Poe


One of my most favorite writers, Edgar Allan Poe, indulges us with one of his most memorable pieces: To One in Paradise. Enjoy!


 To One in Paradise
(1834)
by Edgar Allan Poe
(1809-1849)


Thou wast all that to me, love,
    For which my soul did pine —
A green isle in the sea, love,
    A fountain and a shrine,
All wreathed with fairy fruits and flowers,
    And all the flowers were mine.

    Ah, dream too bright to last!
        Ah, starry Hope! that didst arise
    But to be overcast!
        A voice from out the Future cries,
    "On! on!" —but o'er the Past
        (Dim gulf!) my spirit hovering lies
    Mute, motionless, aghast!

    For, alas! alas! with me
        The light of Life is o'er!
    No more —no more —no more —
        (Such language holds the solemn sea
    To the sands upon the shore)
        Shall bloom the thunder-blasted tree,
    Or the stricken eagle soar!

    And all my days are trances,
        And all my nightly dreams
    Are where thy gray eye glances,
        And where thy footsteps gleams —
    In what ethereal dances,
        By what eternal streams.


† Jofer

Tuesday, February 16, 2010

Love's Philosophy by Percy Bysshe Shelley


Shelley's Love's Philosophy explores the very essence of the emotion with such imagery that depicts how genius the piece and the writer is. Enjoy!


Love's Philosophy
by Percy Bysshe Shelley
(1803-1822)


The fountains mingle with the river,
And the rivers with the ocean;
The winds of heaven mix forever,
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one another's being mingle;--
Why not I with thine?

See! the mountains kiss high heaven,
And the waves clasp one another;
No sister flower would be forgiven,
If it disdained it's brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea;--
What are all these kissings worth,
If thou kiss not me?


† Jofer

Monday, February 15, 2010

The House of Clouds by Elizabeth Barrett Browning


While I continue to be plagued by a personal crossroad that seems to stem from the prospect of finally graduating from college, I'll offer several poetry for the succeeding days to quench the Lit Wit's soul. So enjoy this first selection, fresh out of Elizabeth Barrett Browning's muse.


The House of Clouds
Elizabeth Barrett Browning
(1806-1861)


I would build a cloudy House
For my thoughts to live in;
When for earth too fancy-loose
And too low for Heaven!
Hush! I talk my dream aloud---
I build it bright to see,---
I build it on the moonlit cloud,
To which I looked with thee.

Cloud-walls of the morning's grey,
Faced with amber column,---
Crowned with crimson cupola
From a sunset solemn!
May mists, for the casements, fetch,
Pale and glimmering;
With a sunbeam hid in each,
And a smell of spring.

Build the entrance high and proud,
Darkening and then brightening,---
If a riven thunder-cloud,
Veined by the lightning.
Use one with an iris-stain,
For the door within;
Turning to a sound like rain,
As I enter in.

Build a spacious hall thereby:
Boldly, never fearing.
Use the blue place of the sky,
Which the wind is clearing;
Branched with corridors sublime,
Flecked with winding stairs---
Such as children wish to climb,
Following their own prayers.

In the mutest of the house,
I will have my chamber:
Silence at the door shall use
Evening's light of amber,
Solemnising every mood,
Softemng in degree,---
Turning sadness into good,
As I turn the key.

Be my chamber tapestried
With the showers of summer,
Close, but soundless,---glorified
When the sunbeams come here;
Wandering harpers, harping on
Waters stringed for such,---
Drawing colours, for a tune,
With a vibrant touch.

Bring a shadow green and still
From the chestnut forest,
Bring a purple from the hill,
When the heat is sorest;
Spread them out from wall to wall,
Carpet-wove around,---
Whereupon the foot shall fall
In light instead of sound.

Bring the fantasque cloudlets home
From the noontide zenith
Ranged, for sculptures, round the room,---
Named as Fancy weeneth:
Some be Junos, without eyes;
Naiads, without sources
Some be birds of paradise,---
Some, Olympian horses.

Bring the dews the birds shake off,
Waking in the hedges,---
Those too, perfumed for a proof,
From the lilies' edges:
From our England's field and moor,
Bring them calm and white in;
Whence to form a mirror pure,
For Love's self-delighting.

Bring a grey cloud from the east,
Where the lark is singing;
Something of the song at least,
Unlost in the bringing:
That shall be a morning chair,
Poet-dream may sit in,
When it leans out on the air,
Unrhymed and unwritten.

Bring the red cloud from the sun
While he sinketh, catch it.
That shall be a couch,---with one
Sidelong star to watch it,---
Fit for poet's finest Thought,
At the curfew-sounding,--- ;
Things unseen being nearer brought
Than the seen, around him.

Poet's thought,----not poet's sigh!
'Las, they come together!
Cloudy walls divide and fly,
As in April weather!
Cupola and column proud,
Structure bright to see---
Gone---except that moonlit cloud,
To which I looked with thee!

Let them! Wipe such visionings
From the Fancy's cartel---
Love secures some fairer things
Dowered with his immortal.
The sun may darken,---heaven be bowed---
But still, unchanged shall be,---
Here in my soul,---that moonlit cloud,
To which I looked with THEE!


† Jofer

Sunday, February 14, 2010

A Browning Valentine: Robert Browning and Elizabeth Barrett Browning


When I think of literature on Valentines Day, the poetry of Robert and Elizabeth Barrett Browning, as one of the most romantic literary couple during the Victorian period, comes to mind. Robert wrote to her, after reading her poetry for the first time, "I love your verses with all my mind, dear Miss Barrett--I do, as I say, love these verses with all my heart."

With the first brush of the hearts on both sleeves, a love affair blossomed between the two. They exchanged almost 600 letters during the 20 months of their courtship phase. And they thought some suitors had it hard.

Their marriage on September 12, 1846 at Marylebone Church was a secret. While the rest of her family accepted the match, eventually, her father, however, disowned her. He would not open her letters nor see her. As a sign of her devotion, Elizabeth stood by her husband.

During the early years of marriage, and from that length of courtship, the two amassed a sizeable amount of poetry that would go on to be distinguished and appreciated by the modern reader and the readers before him. When Elizabeth decided to surrender her sonnets to her husband, Robert couldn't help but share it to the world. "I dared not," he said, "reserve to myself the finest sonnets written in any language since Shakespeare's." The collection would appear as "Sonnets from the Portuguese" in 1850.

The couple lived in Italy until Elizabeth died in Robert's arms on June 29, 1861. That was 15 years of their lives. It was during those years that they both wrote some of their most memorable poems.

The Brownings' romance was undoubtedly legendary. Here's the first letter by Robert to Elizabeth, his future wife. Enjoy!


January 10th, 1845
New Cross, Hatcham, Surrey

I love your verses with all my heart, dear Miss Barrett,--and this is no off-hand complimentary letter that I shall write,--whatever else, no prompt matter-of-course recognition of your genius and there a graceful and natural end of the thing: since the day last week when I first read your poems, I quite laugh to remember how I have been turning again in my mind what I should be able to tell you of their effect upon me--for in the first flush of delight I though I would this once get out of my habit of purely passive enjoyment, when I do really enjoy, and thoroughly justify my admiration--perhaps even, as a loyal fellow-craftsman should, try and find fault and do you some little good to be proud of herafter!--but nothing comes of it all--so into me has it gone, and part of me has it become, this great living poetry of yours, not a flower of which but took root and grew... oh, how different that is from lying to be dried and pressed flat and prized highly and put in a book with a proper account at bottom, and shut up and put away... and the book called a 'Flora', besides! After all, I need not give up the thought of doing that, too, in time; because even now, talking with whoever is worthy, I can give reason for my faith in one and another excellence, the fresh strange music, the affluent language, the exquisite pathos and true new brave thought--but in this addressing myself to you, your own self, and for the first time, my feeling rises altogether. I do, as I say, love these Books with all my heart-- and I love you too: do you know I was once seeing you? Mr. Kenyon said to me one morning "would you like to see Miss Barrett?"--then he went to announce me,--then he returned... you were too unwell -- and now it is years ago--and I feel as at some untoward passage in my travels--as if I had been close, so close, to some world's-wonder in chapel on crypt,... only a screen to push and I might have entered -- but there was some slight... so it now seems... slight and just-sufficient bar to admission, and the half-opened door shut, and I went home my thousands of miles, and the sight was never to be!

Well, these Poems were to be--and this true thankful joy and pride with which I feel myself. Yours ever faithfully Robert Browning.


† Jofer

Saturday, February 13, 2010

Defining Classics


As I was trying to busy myself with literature on a much needed and well deserved weekends break, I recalled having recently brushed up on classic literature and contemplating on whether the genre can be generally defined. Of course, different people from different reads with different experiences will debate on what makes literature a classic. You can even find yourself confused depending on what you get to read. In the context of books and literature, however, Esther Lombardi delivers the following as standards of classic literature:

* Quality, artistic at that. It can be an expression of life, truth and beauty.
* Strength against time. That means it can outlast time itself. Literature in this category should represent the period, the century or decade, when it was written. Remember Shakespeare in the Elizabethan Period? There you go.
* Universal appeal. Classics must at least be understood by a wide range of souls. The world should be able to relate to its themes regardless of background and level of experience. Themes such as love, hate, death, life and faith cater to basic emotional responses that make for easy integration.
* Connections are made by classics. Similar to how we can relate to its themes, we should also be influenced by this literature. The writers of this category often integrate their history and ideas into their work, which help educate the reader in growth. Whether this is unconsciously done or specifically worked into the plot remains to be seen with each particular text.

The last time I've read classic literature was a few month ago but that's only because I'm graduating this year and I've tons to do. That copy of Charles Dickens' A Tale of Two Cities, which was a gift from an old friend, is still sitting by my bedside table waiting for my eyes to pry it open and my heart to consume its very soul.

What about you, lit wit? Read any good classics lately?

† Jofer

Tuesday, February 09, 2010

Catcher in the Rye Goodbye



Do you know The Catcher in the Rye? You undoubtedly should. Otherwise, you'll miss one-half of your life.

The Catcher in the Rye was written by J.D. Salinger, one of the greatest American authors of the 20th century, and was published in 1952. Salinger never published another novel in his lifetime. Nine Stories, a short story collection, followed the next year. Franny and Zooey (1961), and a collection of two novellas, Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963) were also published. His final published work, the novella "Hapworth 16, 1924", appeared in The New Yorker on June 19, 1965. Salinger was famous for his strenuous aversion to fame, avoiding all interviews and interactions with fans.

Salinger famously said, "I love to write and I assure you I write regularly... But I write for myself, for my own pleasure. And I want to be left alone to do it."

It has been days since Salinger's unfortunate death, dying of natural causes at 91, and I still feel a little unnerved at the loss. Just like my strange inclination with Emily Dickinson's personality, I also identify my being an introvert with J.D. Salinger's being reclusive. I enjoyed the story behind his famous novel and I've always had it at the back of my head to someday get my own copy signed by him. It was a childish dream that I knew deep inside of me will never ever come true. Now, it's just a bitter pill to swallow.

The Catcher in the Rye discusses alienation, coming of age and more. Holden Caulfield is an outsider, with a cynical view of the world and others. I'll post a study review some time later.

† Jofer

Monday, February 08, 2010

In A Library by Emily Dickinson

Poetry, Series One
courtesy of About.com: Classic Literature

Edited by two of her friends:
MABEL LOOMIS TODD & T.W. HIGGINSON
by Emily Dickinson
(1830-1886)


I. LIFE
X. IN A LIBRARY.


A precious, mouldering pleasure 't is
To meet an antique book,
In just the dress his century wore;
A privilege, I think,

His venerable hand to take,
And warming in our own,
A passage back, or two, to make
To times when he was young.

His quaint opinions to inspect,
His knowledge to unfold
On what concerns our mutual mind,
The literature of old;

What interested scholars most,
What competitions ran
When Plato was a certainty.
And Sophocles a man;

When Sappho was a living girl,
And Beatrice wore
The gown that Dante deified.
Facts, centuries before,

He traverses familiar,
As one should come to town
And tell you all your dreams were true;
He lived where dreams were sown.

His presence is enchantment,
You beg him not to go;
Old volumes shake their vellum heads
And tantalize, just so.

 
† Jofer